Magister Carl Abrahamsson and Vanessa Sinclair present this once-in-a-life time conference on esoteric modernism and psychoanalysis. This event will also feature a presentation by Magistra Blanche Barton on Satanism and the Church of Satan.
More information at carlabrahamsson.com, press release below:
Registration is now OPEN!
Events will take place over 3 days: Thursday – Saturday, May 30 – June 1, 2019. The first two days proceedings will be held at Schloß Pienzenau & the third and final day will be at Brunnenburg Castle once the home of Ezra Pound, whose grandson Siegfried de Rachewiltz will be joining us.
The castles are located in the beautiful mountains of Merano, Italy. Due to the location and venue for this conference, there are a very LIMITED number of tickets (weekend passes only). Get your ticket by paypaling 150 euro to sinclairvanessa AT gmail DOT com
Ezra Pound & the Avant-garde
The Life and Poetry of H.D.
Greek Mythology and Ritual
Futurism and Social Consciousness
Psychoanalysis as Modernist Sonic Occultism
The Fin de Siècle Zeitgeist
Austin Osman Spare & Automatic Drawing
The Divinatory Paintings of Ithell Colquhoun
Poetry as Magic
Ezra Pound’s Occultism
From Cosmism to Cosmic Consciousness
True to the Earth and a Pagan Conception of the Self
The Weaving and Forging of a Magical Tradition in Folk and Fairy Tales
Geomancy and the Earthly Zeitgeist
The Roots of Modern Satanism
Re-Membering the Weird
Reading Emptiness as the Royal Road to the Self
Secret Committees, Collective Beings and the Revolutionary Egregore
Runes, Chant, and Trauma
Spiritual Evolution: For the Masses or for the Few?
The Crusade Against Magical Thinking
Spirituality as a Response to Fighting Social Inequality
How Our Denied Selves & Unresolved Ancestors Hold Keys to Our Collective Liberation
Join us for this incredible experience!
Re-writing the Future:
100 years of Esoteric Modernism & Psychoanalysis
A Multi-disciplinary Conference
30 May – 1 June, 2019
Brunnenburg Castle & Schloß Pienzenau, Merano, Italy
In recent times, it has come to light that many revered artists, writers, poets, philosophers and performers have held esoteric world views or underpinnings. Several recent art exhibitions worldwide have highlighted this: Black Light in Barcelona, retrospectives of Leonor Fini and Leonora Carrington in New York and Mexico City, respectively, Mystical Symbolism and the visionary works of Hilma af Klint at the Guggenheim, all in just the past year.
The field of psychoanalysis itself first began as an esoteric discipline – exploring previously uncharted territory with relatively few individuals meeting weekly at the home of Sigmund Freud. Some of Freud’s occult explorations were quite overt, as he conducted thought experiments with his daughter Anna Freud and close colleague Sandor Ferenczi late into his life. Though Freud intentionally steered the public persona of psychoanalysis away from any occult leanings, his personal work with the esoteric went on well into his twilight years. Carl Jung also explored his own psyche in secret for decades as he created his masterpiece The Red Book, which was only discovered after his death and released publicly in recent years.
The Zeitgeist of the time is reflected in a myriad of ways: the innovative writing of T.S. Eliot, James Joyce, Ernest Hemingway; poetry of H.D.; automatic drawings of Austin Osman Spare; spirit drawings of Georgiana Houghton; accidental poems of Tristan Tzara; noise concerts of Luigi Russolo; collages of Hannah Höch; montages of Man Ray; the expressionism of Wassily Kandinsky; and early experimentation with film and photography. W.B. Yeats taught a young Ezra Pound theosophy. Piet Mondrian studied theosophy as well. The surrealists touted the theories of psychoanalysis, exploring dreamwork, automatic writing, synchronicity and chance.
It is notable that so many cultural heavyweights, who are held in such high regard, deemed it necessary to keep their esoteric views and occult explorations hidden from the world. Clearly they felt these ideas would not be acceptable at that time. And they were probably right, as many of those figures who were more open about their views, were often shunned, denied or had aspects of their work ignored outright. It begs the question: why does society accept some aspects of the mind, but not others?
At our current moment of cultural crisis, it makes sense to look back over the past 100 years; to reflect on the cultural Zeitgeist before the First World War – the very same time period and cultural and intellectual epicentres that birthed the field of psychoanalysis, the Dada movement and Der Blaue Reiter. Much like our times, upheaval and change were in the air. The arts and sciences were booming, as was philosophy, media and technology. Interest in theosophy, Eastern philosophies, occult and esoteric belief systems was on the rise. Society’s accepted values and consensus worldview were put into question; the status-quo challenged, refined and reformulated for a modern era.