Rewriting the Future Flyer

Re-writing the Future: 100 Years of Esoteric Modernism & Psychoanalysis Conference

Magister Carl Abrahamsson and Vanessa Sinclair present this once-in-a-life time conference on esoteric modernism and psychoanalysis. This event will also feature a presentation by Magistra Blanche Barton on Satanism and the Church of Satan.

More information at, press release below:

Registration is now OPEN!

Events will take place over 3 days: Thursday – Saturday, May 30 – June 1, 2019. The first two days proceedings will be held at Schloß Pienzenau & the third and final day will be at  Brunnenburg Castle once the home of Ezra Pound, whose grandson Siegfried de Rachewiltz will be joining us.

The castles are located in the beautiful mountains of Merano, Italy. Due to the location and venue for this conference, there are a very LIMITED number of tickets (weekend passes only). Get your ticket by paypaling 150 euro to sinclairvanessa AT gmail DOT com

Presentations include:

Ezra Pound & the Avant-garde

The Life and Poetry of H.D.

Greek Mythology and Ritual

Futurism and Social Consciousness

Psychoanalysis as Modernist Sonic Occultism

The Fin de Siècle Zeitgeist

Austin Osman Spare & Automatic Drawing

The Divinatory Paintings of Ithell Colquhoun

Poetry as Magic

Ezra Pound’s Occultism

From Cosmism to Cosmic Consciousness

True to the Earth and a Pagan Conception of the Self

The Weaving and Forging of a Magical Tradition in Folk and Fairy Tales

Geomancy and the Earthly Zeitgeist

The Roots of Modern Satanism

Re-Membering the Weird

Reading Emptiness as the Royal Road to the Self

Secret Committees, Collective Beings and the Revolutionary Egregore

Runes, Chant, and Trauma

Spiritual Evolution: For the Masses or for the Few?

The Crusade Against Magical Thinking

Spirituality as a Response to Fighting Social Inequality

How Our Denied Selves & Unresolved Ancestors Hold Keys to Our Collective Liberation

& more!

Join us for this incredible experience! 


Re-writing the Future:
100 years of Esoteric Modernism & Psychoanalysis

A Multi-disciplinary Conference

30 May – 1 June, 2019

Brunnenburg Castle & Schloß Pienzenau, Merano, Italy

In recent times, it has come to light that many revered artists, writers, poets, philosophers and performers have held esoteric world views or underpinnings. Several recent art exhibitions worldwide have highlighted this: Black Light in Barcelona, retrospectives of Leonor Fini and Leonora Carrington in New York and Mexico City, respectively, Mystical Symbolism and the visionary works of Hilma af Klint at the Guggenheim, all in just the past year.

The field of psychoanalysis itself first began as an esoteric discipline – exploring previously uncharted territory with relatively few individuals meeting weekly at the home of Sigmund Freud. Some of Freud’s occult explorations were quite overt, as he conducted thought experiments with his daughter Anna Freud and close colleague Sandor Ferenczi late into his life. Though Freud intentionally steered the public persona of psychoanalysis away from any occult leanings, his personal work with the esoteric went on well into his twilight years. Carl Jung also explored his own psyche in secret for decades as he created his masterpiece The Red Book, which was only discovered after his death and released publicly in recent years.

The Zeitgeist of the time is reflected in a myriad of ways: the innovative writing of T.S. Eliot, James Joyce, Ernest Hemingway; poetry of H.D.; automatic drawings of Austin Osman Spare; spirit drawings of Georgiana Houghton; accidental poems of Tristan Tzara; noise concerts of Luigi Russolo; collages of Hannah Höch; montages of Man Ray; the expressionism of Wassily Kandinsky; and early experimentation with film and photography. W.B. Yeats taught a young Ezra Pound theosophy. Piet Mondrian studied theosophy as well. The surrealists touted the theories of psychoanalysis, exploring dreamwork, automatic writing, synchronicity and chance.

It is notable that so many cultural heavyweights, who are held in such high regard, deemed it necessary to keep their esoteric views and occult explorations hidden from the world. Clearly they felt these ideas would not be acceptable at that time. And they were probably right, as many of those figures who were more open about their views, were often shunned, denied or had aspects of their work ignored outright. It begs the question: why does society accept some aspects of the mind, but not others?

At our current moment of cultural crisis, it makes sense to look back over the past 100 years; to reflect on the cultural Zeitgeist before the First World War – the very same time period and cultural and intellectual epicentres that birthed the field of psychoanalysis, the Dada movement and Der Blaue Reiter. Much like our times, upheaval and change were in the air. The arts and sciences were booming, as was philosophy, media and technology. Interest in theosophy, Eastern philosophies, occult and esoteric belief systems was on the rise. Society’s accepted values and consensus worldview were put into question; the status-quo challenged, refined and reformulated for a modern era.